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could get her a part to´morrow�察�but I shouldn't like her to mix with all sorts
of people。;
I was a little chilled by Mrs。 Strickland's exclusiveness。
;Do you ever hear of your husband�拭─�
;No�察�I haven't heard a word。 He may be dead for all I know。;
;I may run across him in Paris。 Would you like me to let you know
about him�拭─�
She hesitated a minute。
;If he's in any real want I'm prepared to help him a little。 I'd send you a
certain sum of money�察�and you could give it him gradually�察�as he needed
it。;
;That's very good of you�察─�I said。
But I knew it was not kindness that prompted the offer。 It is not true
that suffering ennobles the character�察�happiness does that sometimes�察�but
suffering�察�for the most part�察�makes men petty and vindictive。
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Chapter XVIII
In point of fact�察 �I met Strickland before I had been a fortnight in
Paris。
I quickly found myself a tiny apartment on the fifth floor of a house in
the Rue des Dames�察 �and for a couple of hundred francs bought at a
second´hand dealer's enough furniture to make it habitable。 I arranged
with the concierge to make my coffee in the morning and to keep the place
clean。 Then I went to see my friend Dirk Stroeve。
Dirk Stroeve was one of those persons whom�察 �according to your
character�察�you cannot think of without derisive laughter or an embarrassed
shrug of the shoulders。 Nature had made him a buffoon。 He was a
painter�察 �but a very bad one�察 �whom I had met in Rome�察 �and I still
remembered his pictures。 He had a genuine enthusiasm for the
commonplace。 His soul palpitating with love of art�察 �he painted the
models who hung about the stairway of Bernini in the Piazza de Spagna�察�
undaunted by their obvious picturesqueness�察 �and his studio was full of
canvases on which were portrayed moustachioed�察 �large´eyed peasants in
peaked hats�察 �urchins in becoming rags�察 �and women in bright petticoats。
Sometimes they lounged at the steps of a church�察�and sometimes dallied
among cypresses against a cloudless sky�察�sometimes they made love by a
Renaissance well´head�察 �and sometimes they wandered through the
Campagna by the side of an ox´waggon。 They were carefully drawn and
carefully painted。 A photograph could not have been more exact。 One of
the painters at the Villa Medici had called him To look at his pictures you would have thought that Monet�察�
Manet�察�and the rest of the Impressionists had never been。
;I don't pretend to be a great painter�察─ �he said�察 �I'm not a Michael
Angelo�察 �no�察 �but I have something。 I sell。 I bring romance into the
homes of all sorts of people。 Do you know�察 �they buy my pictures not
only in Holland�察�but in Norway and Sweden and Denmark�拭 �It's mostly
merchants who buy them�察�and rich tradesmen。 You can't imagine what
the winters are like in those countries�察�so long and dark and cold。 They
like to think that Italy is like my pictures。 That's what they expect。
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That's what I expected Italy to be before I came here。;
And I think that was the vision that had remained with him always�察�
dazzling his eyes so that he could not see the truth�察�and notwithstanding
the brutality of fact�察�he continued to see with the eyes of the spirit an Italy
of romantic brigands and picturesque ruins。 It was an ideal that he
painted a poor one�察�common and shop´soiled�察�but still it was an ideal�察�
and it gave his character a peculiar charm。
It was because I felt this that Dirk Stroeve was not to me�察�as to others�察�
merely an object of ridicule。 His fellow´painters made no secret of their
contempt for his work�察�but he earned a fair amount of money�察�and they did
not hesitate to make free use of his purse。 He was generous�察 �and the
needy�察 �laughing at him because he believed so naively their stories of
distress�察�borrowed from him with effrontery。 He was very emotional�察�yet
his feeling�察 �so easily aroused�察 �had in it something absurd�察 �so that you
accepted his kindness�察�but felt no gratitude。 To take money from him was
like robbing a child�察�and you despised him because he was so foolish。 I
imagine that a pickpocket�察�proud of his light fingers�察�must feel a sort of
indignation with the careless woman who leaves in a cab a vanity´bag with
all her jewels in it。 Nature had made him a butt�察 �but had denied him
insensibility。 He writhed under the jokes�察�practical and otherwise�察�which
were perpetually made at his expense�察 �and yet never ceased�察 �it seemed
wilfully�察�to expose himself to them。 He was constantly wounded�察�and yet
his good´ nature was such that he could not bear malice�此�the viper might
sting him�察 �but he never learned by experience�察 �and had no sooner
recovered from his pain than he tenderly placed it once more in his bosom。
His life was a tragedy written in the terms of knockabout farce。 Because
I did not laugh at him he was grateful to me�察�and he used to pour into my
sympathetic ear the long list of his troubles。 The saddest thing about
them was that they were grotesque�察�and the more pathetic they were�察�the
more you wanted to laugh。
But though so bad a painter�察�he had a very delicate feeling for art�察�and
to go with him to picture´galleries was a rare treat。 His enthusiasm was
sincere and his criticism acute。 He was catholic。 He had not only a true
appreciation of the old masters�察�but sympathy with the moderns。 He was
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quick to discover talent�察 �and his praise was generous。 I think I have
never known a man whose judgment was surer。 And he was better
educated than most painters。 He was not�察�like most of them�察�ignorant of
kindred arts�察�and his taste for music and literature gave depth and variety
to his comprehension of painting。 To a young man like myself his advice
and guidance were of incomparable value。
When I left Rome I corresponded with him�察 �and about once in two
months received from him long letters in queer English�察 �which brought
before me vividly his spluttering�察�enthusiastic�察�gesticulating conversation。
Some time before I went to Paris he had married an Englishwoman�察�and
was now settled in a studio in Montmartre。 I had not seen him for four
years�察�and had never met his wife。
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Chapter XIX
I had not announced my arrival to Stroeve�察�and when I rang the bell
of his studio�察�on opening the door himself�察�for a moment he did not know
me。 Then he gave a cry of delighted surprise and drew me in。 It was
charming to be welcomed with so much eagerness。 His wife was seated
near the stove at her sewing�察�and she rose as I came in。 He introduced
me。
;Don't you remember�拭─�he said to her。 ;I've talked to you about him
often。; And then to me�此 �But why didn't you let me know you were
coming�拭 �How long have you been here�拭 �How long are you going to
stay�拭 �Why didn't you come an hour earlier�察 �and we would have dined
together�拭─�
He bombarded me with questions。 He sat me down in a chair�察�patting
me as though I were a cushion�察�pressed cigars upon me�察�cakes�察�wine。 He
could not let me alone。 He was heart´broken because he had no whisky�察�
wanted to make coffee for me�察 �racked his brain for something he could
pos