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the ragged trousered philanthropists-第103部分

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id not matter at all; because even if the man fell it would make no difference to the firm … all the men were insured and somehow or other; although they frequently had narrow escapes; they did not often come to grief。

On this occasion; just as Easton was finishing he felt the pinnacle that he was holding on to give way; and he got such a fright that his heart nearly stopped beating。  He let go his hold and steadied himself on the ladder as well as he was able; and when he had descended three or four steps … into comparative safety … he remained clinging convulsively to the ladder and feeling so limp that he was unable to go down any further for several minutes。  When he arrived at the bottom and the others noticed how white and trembling he was; he told them about the pinnacle being loose; and the ‘coddy' coming along just then; they told him about it; and suggested that it should be repaired; as otherwise it might fall down and hurt someone: but the ‘coddy' was afraid that if they reported it they might be blamed for breaking it; and the owner might expect the firm to put it right for nothing; so they decided to say nothing about it。  The pinnacle is stilt on the apex of the steeple waiting for a sufficiently strong wind to blow it down on somebody's head。

When the other men heard of Easton's ‘narrow shave'; most of them said that it would have served him bloody well right if he had fallen and broken his neck: he should have refused to go up at all without a proper scaffold。  That was what THEY would have done。  If Misery or the coddy had ordered any of THEM to go up and paint the pinnacle off that ladder; they would have chucked their tools down and demanded their ha'pence!

That was what they said; but somehow or other it never happened that any of them ever ‘chucked their tools down' at all; although such dangerous jobs were of very frequent occurrence。

The scamping business was not confined to houses or properties of an inferior class: it was the general rule。  Large good…class houses; villas and mansions; the residences of wealthy people; were done in exactly the same way。  Generally in such places costly and beautiful materials were spoilt in the using。

There was a large mansion where the interior woodwork … the doors; windows and staircase … had to be finished in white enamel。  It was rather an old house and the woodwork needed rubbing down and filling up before being repainted; but of course there was not time for that; so they painted it without properly preparing it and when it was enamelled the rough; uneven surface of the wood looked horrible: but the owner appeared quite satisfied because it was nice and shiny。  The dining…room of the same house was papered with a beautiful and expensive plush paper。  The ground of this wall…hanging was made to imitate crimson watered silk; and it was covered with a raised pattern in plush of the same colour。  The price marked on the back of this paper in the pattern book was eighteen shillings a roll。  Slyme was paid sixpence a roll for hanging it: the room took ten rolls; so it cost nine pounds for the paper and five shillings to hang it!  To fix such a paper as this properly the walls should first be done with a plain lining paper of the same colour as the ground of the wallpaper itself; because unless the paperhanger ‘lapps' the joints … which should not be done … they are apt to open a little as the paper dries and to show the white wall underneath … Slyme suggested this lining to Misery; who would not entertain the idea for a moment … they had gone to quite enough expense as it was; stripping the old paper off!

So Slyme went ahead; and as he had to make his wages; he could not spend a great deal of time over it。  Some of the joints were ‘lapped' and some were butted; and two or three weeks after the owner of the house moved in; as the paper became more dry; the joints began to open and to show the white plaster of the wall; and then Owen had to go there with a small pot of crimson paint and a little brush; and touch out the white line。

While he was doing this he noticed and touched up a number of other faults; places where Slyme … in his haste to get the work done … had slobbered and smeared the face of the paper with fingermarks and paste。

The same ghastly mess was made of several other ‘jobs' besides this one; and presently they adopted the plan of painting strips of colour on the wall in the places where the joints would come; so that if they opened the white wall would not show: but it was found that the paste on the back of the paper dragged the paint off the wall; and when the joints opened the white streaks showed all the same; so Misery abandoned all attempts to prevent joints showing; and if a customer complained; he sent someone to ‘touch it up': but the lining paper was never used; unless the customer or the architect knew enough about the work to insist upon it。

In other parts of the same house the ceilings; the friezes; and the dados; were covered with ‘embossed' or ‘relief' papers。  These hangings require very careful handling; for the raised parts are easily damaged; but the men who fixed them were not allowed to take the pains and time necessary to make good work: consequently in many places … especially at the joints … the pattern was flattened out and obliterated。

The ceiling of the drawing…room was done with a very thick high…relief paper that was made in sheets about two feet square。  These squares were not very true in shape: they had evidently warped in drying after manufacture: to make them match anything like properly would need considerable time and care。  But the men were not allowed to take the necessary time。  The result was that when it was finished it presented a sort of ‘higgledy…piggledy' appearance。  But it didn't matter: nothing seemed to matter except to get it done。  One would think from the way the hands were driven and chivvied and hurried over the work that they were being paid five or six shillings an hour instead of as many pence。

‘Get it done!' shouted Misery from morning till night。  ‘For God's sake get it done!  Haven't you finished yet?  We're losing money over this 〃job〃!  If you chaps don't wake up and move a bit quicker; I shall see if I can't get somebody else who will。'

These costly embossed decorations were usually finished in white; but instead of carefully coating them with specially prepared paint of patent distemper; which would need two or three coats; they slobbered one thick coat of common whitewash on to it with ordinary whitewash brushes。

This was a most economical way to get over it; because it made it unnecessary to stop up the joints beforehand … the whitewash filled up all the cracks: and it also filled up the hollow parts; the crevices and interstices of the ornament; destroying the sharp outlines of the beautiful designs and reducing the whole to a lumpy; formless mass。 But that did not matter either; so long as they got it done。

The architect didn't notice it; because he knew that the more Rushton & Co。 made out of the ‘job'; the more he himself would make。

The man who had to pay for the work didn't notice it; he had the fullest confidence in the architect。

At the risk of wearying the long…suffering reader; mention must be made of an affair that happened at this particular ‘job'。

The windows were all fitted with venetian blinds。  The gentleman for whom all the work was being done had only just purchased the house; but he preferred roller blinds: he had had roller blinds in his former residence … which he had just sold … and as these roller blinds were about the right size; he decided to have them fitted to the windows of his new house: so he instructed Mr Rushton to have all the venetian blinds taken down and stored away up in the loft under the roof。  Mr Rushton promised to have this done; but they were not ALL put away under the roof: he had four of them taken to his own place and fitted up in the conservatory。  They were a little too large; so they had to be narrowed before they were fixed。

The sequel was rather interesting; for it happened that when the gentleman attempted to take the roller blinds from his old house; the person to whom he had sold it refused to allow them to be removed; claiming that when he bought the house; he bought the blinds also。 There was a little dispute; but eventually it was settled that way and the gentleman decided that he would have the venetian blinds in his new house after all; and instructed the people who moved his furniture to take the venetians down again from under the roof; and refix them; and then; of course; it was discovered that four of the blinds were missing。  Mr Rushton was sent for; and he said that he couldn't understand it at all!  The only possible explanation that he could think of was that some of his workmen must have stolen them!  He would make inquiries; and endeavour to discover the culprits; but in any case; as this had happened while things were in his charge; if he did not succeed in recovering them; he would replace them。

As the blinds had been narrowed to fit the conservatory he had to have four new ones made。

The customer was of course quite satisfied; although very sorry for Mr Rushton。  They ha
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