嗔秤戻幣�哉膵�云利匈嬉蝕湊蛸賜�塋床四衲���萩晦編報炎嘔囚^泡仟 ̄云利匈�《超噌�殻窟�嵌虜隆輓麈觚翹瀘卉韮�仍仍�。� 烏御危列
卆卆弌傍 卦指云慕朕村 厘議慕尺 厘議慕禰 TXT畠云和墮 序秘慕杏 紗秘慕禰

the mirror of kong ho(腎砕議承徨)-及42何蛍

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




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that as a result of the limited vision of their creator they only possessed 

twelve legs and three whole bodies among them。; 

     Perchance       this   tactfully´related     story�察  �so    applicable     to  his   own 

deficiencies�察  �may   sink   into   the   imagination   of   the   one   for   whom   it   was 

inoffensively unfolded。 Yet doubt remains。 Our own picture´judgers take 

up a position at the side of work when they with to examine its qualities�察�

retiring    to  an   ever´diminishing       angle    in  order   to   bring   out   the  more 

delicate     effects�察  �until  a  very    expert    and   conscientious      critic  will   not 

infrequently   stand   really   behind   the   picture   he   is   considering   before   he 

delivers   a   final   pronouncement。   Not until these native   artists   are  able   to 

regard their crude attempts from the other side of the canvas can they hope 

to become equally proficient。 To this fatal shortcoming must be added that 

of insatiable ambition�察�which prompts the young to the portrayal of widely 

differing     subjects。    Into   the   picture´room      of   one   who    might     thus   be 

described this person was recently conducted�察�to pass an opinion upon a 

scene   in    which   were   depicted   seven   men   of   varying   nationalities         and 

appropriately garbed�察�one of the opposing sex carrying a lighted torch�察�an 

elephant reclining beneath a fruitful vine�察�and the President of a Republic。 

For   a   period   this   person   resisted   the   efforts   of   those   who   would   have 

questioned him�察�withdrawing their attention to the harmonious lights upon 

the   river   mist   floating   far   below�察  �but   presently�察  �being   definitely   called 

upon�察�he replied as follows�此 �Mih Ying�察�who was perhaps the greatest of 

his time�察�spent his whole life in painting green and yellow beetles in the 

act    of   concealing      themselves      beneath     dead    maple     leaves    upon    the 

approach of day。 At the age of seventy´five he burst into tears�察�and upon 

being approached for a cause he exclaimed�察�'Alas�察�if only this person had 

resisted   the   temptation   to   be   diffuse�察  �and   had   confined   himself   to   green 

beetles alone�察�he might now�察�instead of contemplating a misspent career�察�

have   been   really   great。'   How   much   less�察─  �I   continued�察   �can   a   person   of 

immature   moustaches   hope   to   depict   two   such   conflicting   objects   as   a 

recumbent   elephant   and   the   President   of   a   Republic   standing   beneath   a 

banner�拭─�

     Upon the temptation to deal critically with the religious instincts of the 

islanders   this   person   draws   an   obliterating   brush。   As   practically   every 



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                                     THE MIRROR OF KONG HO 



traveller     who    has   honoured      our   unattractive     land   with    his   effusive 

presence has subsequently left it in a printed record that our ceremonies 

are grotesque�察�our priesthood ignorant and depraved�察�our monasteries and 

sacred places spots of plague upon an otherwise flower´adorned landscape�察�

and our beliefs and sacrifices only worthy to exist for the purpose of being 

made into jest´origins by more refined communities�察�the omission on this 

one's part may appear uncivil and perhaps even intentionally discourteous。 

To   this�察  �as   a   burner   of   joss´sticks   and   an   irregular   person�察  �he   can   only 

reply by a deprecatory waving of both hands and a reassuring smile。 

     With   the   two´sided   memories   of   many   other   details   hanging   thickly 

around      his  brush�察   �it  would    not  be   an   achievement      to   continue    to  a 

practically  inexhaustible  amount。 As   of   the  set   days   when   certain   things 

are   observed�察  �among   which   fall   the   first   of   the   fourth   month   ��but   that 

would disclose another involvement���察�another when flat cakes are partaken 

of    without    due   caution�察   �another    when     rounder    cakes    are   even   more 

incautiously consumed�察�and that most brightly´illuminated of all when it is 

permissible   to   embrace   maidens   openly�察  �and   if   discreetly   accomplished 

with no overhanging fear of ensuing forms of law�察�beneath the emblem of 

a suspended branch�察�in memory of the wisdom of certain venerable sages 

who were doubtless expert in the practice。 As of the inconvenient custom 

when      two    persons     are   walking     together     that   they    should    arrange 

themselves side by side�察�to the obvious discomfort of others�察�the sweeping 

away of all opportunities for agreeable politeness�察�and the utter disregard 

of   the   time´honoured       example   of   the   sagacious   water´fowl。   As   of      the 

inconsistency       of   refusing�察   �even   with    contempt�察    �to   receive    our   most 

intimate form of regard and use this person's lip´cloth after a feast�察�yet the 

mulish eagerness in that same youth to drink from a cup previously used 

by a lesser one。 As of the precision ��which still remains a cloud of doubt�撮� 

with which creatures so intractable as the bull are successfully trained to 

roar aloud at certain gong´strokes of the day as an agreed signal。 As of the 

streets in movement�察�the lights at evening�察�and the voices of those unseen。 

As of these and as of other matters�察�so multitudinous that they crowd about 

this   person's    mind     like  the   assembling      swallows�察    �circling    above    the 

deserted millet fields before they turn their beaks to the sea�察�and dropping 



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his    brush    ��perchance     with   an   acquiescent      sigh���察 �he�察  �also�察  �kow´tows 

submissively   to   a   blind   but   appointed   destiny�察  �and   prepares   to   seek   a 

passage from an alien land of sojourning。 

     With the impetuous craving of an affectionate son to behold a revered 

sire�察�intensified by the fact that he has reached the innermost lining of his 

sleeve�察  �with affectionate   greetings   towards   Ning�察 �Hia´Fa�察 �and T'ian Yen�察�

and     an  assurance     that   they   have    never   been    really   absent    from   his 

thoughts。 

     KONG HO。 



       Ernest Bramah�察�of whom in his lifetime Who's Who had so little to 

say�察   �was    born   in   Manchester。      At   seventeen     he  chose    farming     as   a 

profession�察  �but   after   three   years   of   losing   money   gave   it   up   to   go   into 

journalism。 He started as correspondent on a typical provincial paper�察�then 

went   to   London   as   secretary   to   Jerome   K。   Jerome�察  �and   worked   himself 

into   the   editorial   side   of   Jerome's   magazine�察  �To´day�察  �where   he   got   the 

opportunity of meeting the most important literary figures of the day。 But 

he    soon    left  To´day    to   join  a   new    publishing     firm�察  �as  editor   of  a 

publication called The Minister�察�finally�察�after two years of this�察�he turned 

to writing as his full´time occupation。 He was intensely interested in coins 

and published a book on the English regal copper coinage。 He is�察�however�察�

best known as the creator of the charming character Kai Lung who appears 

in Kai Lung Unrolls His Mat�察�Kai Lung's Golden Hours�察�The Wallet of Kai 

Lung�察�Kai Lung Beneath the Mulberry Tree�察�The Mirror of Kong Ho�察�and 

The Moon of Much Gladness�察�he also wrote two one´ act plays which are 

often performed at London variety theatres�察�and many stories and articles 

in leading periodicals。 He died in 1942。 



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卦指朕村 貧匯匈 指欺競何 壘��1�� 家��1��
隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
梁椣戻幣�� 梁心弌傍議揖扮窟燕得胎��傍竃徭失議心隈才凪万弌誌育断蛍�輌臆惨軼僑〃�燕慕得珊辛參資誼持蛍才将刮襲潜��範寔亟圻幹慕得 瓜寡追葎娼得辛參資誼寄楚署衛、持蛍才将刮襲潜填��