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discovers not�察�By taking thought�察�the principle he wants�察�Even such was I 

at   that  new   apparition�察  �I  wished    to  see  how    the  image   to  the  circle 

Conformed itself�察�and how it there finds place�察�

    But my own wings were not enough for this�察�Had it not been that then 

my mind there smote A flash of lightning�察�wherein came its wish。 

    Here vigour failed the lofty fantasy�此  �But now was turning my  desire 

and will�察�Even as a wheel that equally is moved�察�

     The Love which moves the sun and the other stars。 



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                                    APPENDIX 



        SIX    SONNETS         ON     DANTE'S        DIVINE       COMEDY          BY    HENRY 

WADSWORTH LONGFELLOW ��1807´1882�� 

        I 

     Oft have I seen at some cathedral door A laborer�察�pausing in the dust 

and   heat�察  �Lay   down   his   burden�察  �and   with   reverent   feet   Enter�察  �and   cross 

himself�察�and on the floor Kneel to repeat his paternoster o'er�察�Far off the 

noises of the world retreat�察�The loud vociferations of the street Become an 

undistinguishable roar。 So�察�as I enter here from day to day�察�And leave my 

burden at this minster gate�察�Kneeling in prayer�察�and not ashamed to pray�察�

The   tumult   of   the   time   disconsolate   To   inarticulate   murmurs   dies   away�察�

While the eternal ages watch and wait。 

        II 

     How   strange   the   sculptures   that   adorn   these   towers�   �This   crowd   of 

statues�察  �in   whose   folded   sleeves   Birds   build   their   nests�察  �while   canopied 

with   leaves   Parvis   and   portal   bloom   like   trellised   bowers�察�And   the   vast 

minster seems a cross of flowers� �But fiends and dragons on the gargoyled 

eaves Watch the dead Christ between the living thieves�察�And�察�underneath�察�

the traitor Judas lowers� �Ah� �from what agonies of heart and brain�察�What 

exultations trampling on despair�察�What tenderness�察�what tears�察�what hate 

of wrong�察�What passionate outcry of a soul in pain�察�Uprose this poem of 

the earth and air�察�This mediaeval miracle of song� �

        III 

     I enter�察�and I see thee in the gloom Of the long aisles�察�O poet saturnine� �

And strive to make my steps keep pace with thine。 The air is filled with 

some   unknown   perfume�察  �The   congregation   of   the   dead   make   room   For 

thee   to   pass�察  �the   votive   tapers   shine�察  �Like   rooks   that   haunt   Ravenna's 

groves   of   pine�察  �The   hovering   echoes   fly   from   tomb   to   tomb。   From   the 

confessionals        I   hear    arise    Rehearsals      of    forgotten     tragedies�察    �And 

lamentations from the crypts below And then a voice celestial that begins 

With the pathetic words�察 �Although your sins As scarlet be�察─�and ends with 

;as the snow。; 

        IV 



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     With   snow´white   veil�察  �and   garments   as   of   flame�察  �She   stands   before 

thee�察 �who   so   long   ago   Filled   thy  young   heart   with   passion   and   the   woe 

From   which   thy   song   in   all   its   splendors   came�察  �And   while   with   stern 

rebuke she speaks thy name�察�The ice about thy heart melts as the snow On 

mountain heights�察�and in swift overflow Comes gushing from thy lips in 

sobs of shame。 Thou makest full confession�察�and a gleam As of the dawn 

on some dark forest cast�察�Seems on thy lifted forehead to increase�察�Lethe 

and Eunoethe remembered dream And the forgotten sorrowbring at last 

That perfect pardon which is perfect peace。 

       V 

     I Lift mine eyes�察�and all the windows blaze With forms of saints and 

holy men who died�察�Here martyred and hereafter glorified�察�And the great 

Rose upon its leaves displays Christ's Triumph�察�and the angelic roundelays�察�

With   splendor   upon   splendor   multiplied�察  �And   Beatrice   again   at   Dante's 

side No more rebukes�察�but smiles her words of praise。 And then the organ 

sounds�察�and unseen choirs Sing the old Latin hymns of peace and love And 

benedictions of the Holy Ghost�察�And the melodious bells among the spires 

O'er all the house´tops and through heaven above Proclaim the elevation 

of the Host� �

       VI 

     O    star  of  morning     and   of  liberty�   �O   bringer   of  the   light�察 �whose 

splendor shines Above the darkness of the Apennines�察�Forerunner of the 

day   that   is   to   be�   �The   voices   of   the   city   and   the   sea�察  �The   voices   of   the 

mountains      and   the   pines�察 �Repeat    thy   song�察  �till  the  familiar   lines  Are 

footpaths for the thought of Italy� �Thy fame is blown abroad from all the 

heights�察  �Through   all   the   nations�察  �and   a   sound   is   heard�察�As   of   a   mighty 

wind�察�and men devout�察�Strangers of Rome�察�and the new proselytes�察�In their 

own language hear thy wondrous word�察�And many are amazed and many 

doubt。 



       POSTSCRIPT 

       'Ich  habe    unter   meinen    Papieren    ein   Blatt  gefunden�察    �wo   ich   die 

Baukunst   eine   erstarrte   Musik   nenne。'   ��Johann   Wolfgang   Goethe�察  �1829 

March 23�� 



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     I found Dante in a bar。 The Poet had indeed lost the True Way to be 

found reduced to party chatter in a Capitol Hill basement�察�but I had found 

him at last。 I must have been drinking in the Dark Tavern of Error�察�for I 

did not even realize I had begun the dolorous path followed by many since 

the   Poet's   journey   of   A。D。   1300。   Actually   no   one   spoke   a   word   about 

Dante   or   his   Divine   Comedy�察  �rather   I   heard   a   second´hand   Goethe   call 

architecture ;frozen music。; Soon I took my second step through the gate 

to a people lost�察�this time on a more respectable occasiona lecture at the 

Catholic University of America。 Clio�察�the muse of history�察�must have been 

aiding Prof。 Schumacher that evening�察�because it sustained my full three´ 

hour attention�察�even after I had just presented an all´night project。 There I 

heard of a most astonishing Italian translation of 'la Divina Commedia' di 

Dante Alighieri。 An Italian architect�察�Giuseppi Terragni�察�had translated the 

Comedy into the 'Danteum��' a projected stone and glass monument to Poet 

and Poem near the Basilica of Maxentius in Rome。 

     Do not look for the Danteum in the Eternal City。 In true Dantean form�察�

politics    stood   in   the  way    of   its  construction    in   1938。   Ironically    this 

literature´inspired building can itself most easily be found in book form。 

Reading this book I remembered Goethe's quote about frozen music。 Did 

Terragni try to freeze Dante's medieval miracle of song�拭�Certainly a cold´ 

poem seems artistically repulsive。 Unflattering comparisons to the lake of 

Cocytus spring to mind too。 While I cannot read Italian�察�I can read some 

German。 After locating the original quotation I discovered that 'frozen' is a 

problematic   ��though   common��   translation   of   Goethe's   original   'erstarrte。' 

The verb 'erstarren' more properly  means   'to solidify' or 'to stiffen。' This 

suggests a chemical reaction in which the art does not necessarily chill in 

the transformation。 Nor can simple thawing yield the original work。 Like a 

chemical      reaction    it  requires   an   artistic  catalyst�察  �a   muse。    Indeed    the 

Danteum   is   not   a   physical   translation   of   the   Poem。   Terragni   thought   it 

inappropriate   to   translate   the   Comedy   literally   into   a   non´literary   work。 

The   Danteum   would   not   be   a   stage   set�察  �rather   Terragni   generated   his 

design from the Comedy's structure�察�not its finishes。 

       The poem is divided into three canticles of thirty´three cantos each�察�

plus   one   extra   in   the   first�察  �the   Inferno�察  �making   a   total   of   one   hundred 



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cantos。   Each   canto   is   composed   of   three´line   tercets�察  �the   first   and   third 

lines rhyme�察�the second line rhymes with the beginning of the next tercet�察�

establishing   a   kind   of   overlap�察  �reflected   in   the   overlapping   motif   of   the 

Danteum   design。   Dante's   realms   are   further   subdivided�此  �the   Inferno   is 

composed of nine levels�察�the vestibule makes a tenth。 Purgatory has seven 

terraces�察�plus two ledges in an ante´purgatory�察�adding these to the Earthly 

Paradise      yields    ten   zones。     Paradise     is  composed        of   nine    heavens�察�

Empyrean makes the tenth。 In the Inferno�察�sinners are organized by three 

vicesIncontinence�察  �Violence�察  �and   Fraudand   furthe
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