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discovers not�察�By taking thought�察�the principle he wants�察�Even such was I
at that new apparition�察 �I wished to see how the image to the circle
Conformed itself�察�and how it there finds place�察�
But my own wings were not enough for this�察�Had it not been that then
my mind there smote A flash of lightning�察�wherein came its wish。
Here vigour failed the lofty fantasy�此 �But now was turning my desire
and will�察�Even as a wheel that equally is moved�察�
The Love which moves the sun and the other stars。
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APPENDIX
SIX SONNETS ON DANTE'S DIVINE COMEDY BY HENRY
WADSWORTH LONGFELLOW ��1807´1882��
I
Oft have I seen at some cathedral door A laborer�察�pausing in the dust
and heat�察 �Lay down his burden�察 �and with reverent feet Enter�察 �and cross
himself�察�and on the floor Kneel to repeat his paternoster o'er�察�Far off the
noises of the world retreat�察�The loud vociferations of the street Become an
undistinguishable roar。 So�察�as I enter here from day to day�察�And leave my
burden at this minster gate�察�Kneeling in prayer�察�and not ashamed to pray�察�
The tumult of the time disconsolate To inarticulate murmurs dies away�察�
While the eternal ages watch and wait。
II
How strange the sculptures that adorn these towers� �This crowd of
statues�察 �in whose folded sleeves Birds build their nests�察 �while canopied
with leaves Parvis and portal bloom like trellised bowers�察�And the vast
minster seems a cross of flowers� �But fiends and dragons on the gargoyled
eaves Watch the dead Christ between the living thieves�察�And�察�underneath�察�
the traitor Judas lowers� �Ah� �from what agonies of heart and brain�察�What
exultations trampling on despair�察�What tenderness�察�what tears�察�what hate
of wrong�察�What passionate outcry of a soul in pain�察�Uprose this poem of
the earth and air�察�This mediaeval miracle of song� �
III
I enter�察�and I see thee in the gloom Of the long aisles�察�O poet saturnine� �
And strive to make my steps keep pace with thine。 The air is filled with
some unknown perfume�察 �The congregation of the dead make room For
thee to pass�察 �the votive tapers shine�察 �Like rooks that haunt Ravenna's
groves of pine�察 �The hovering echoes fly from tomb to tomb。 From the
confessionals I hear arise Rehearsals of forgotten tragedies�察 �And
lamentations from the crypts below And then a voice celestial that begins
With the pathetic words�察 �Although your sins As scarlet be�察─�and ends with
;as the snow。;
IV
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With snow´white veil�察 �and garments as of flame�察 �She stands before
thee�察 �who so long ago Filled thy young heart with passion and the woe
From which thy song in all its splendors came�察 �And while with stern
rebuke she speaks thy name�察�The ice about thy heart melts as the snow On
mountain heights�察�and in swift overflow Comes gushing from thy lips in
sobs of shame。 Thou makest full confession�察�and a gleam As of the dawn
on some dark forest cast�察�Seems on thy lifted forehead to increase�察�Lethe
and Eunoethe remembered dream And the forgotten sorrowbring at last
That perfect pardon which is perfect peace。
V
I Lift mine eyes�察�and all the windows blaze With forms of saints and
holy men who died�察�Here martyred and hereafter glorified�察�And the great
Rose upon its leaves displays Christ's Triumph�察�and the angelic roundelays�察�
With splendor upon splendor multiplied�察 �And Beatrice again at Dante's
side No more rebukes�察�but smiles her words of praise。 And then the organ
sounds�察�and unseen choirs Sing the old Latin hymns of peace and love And
benedictions of the Holy Ghost�察�And the melodious bells among the spires
O'er all the house´tops and through heaven above Proclaim the elevation
of the Host� �
VI
O star of morning and of liberty� �O bringer of the light�察 �whose
splendor shines Above the darkness of the Apennines�察�Forerunner of the
day that is to be� �The voices of the city and the sea�察 �The voices of the
mountains and the pines�察 �Repeat thy song�察 �till the familiar lines Are
footpaths for the thought of Italy� �Thy fame is blown abroad from all the
heights�察 �Through all the nations�察 �and a sound is heard�察�As of a mighty
wind�察�and men devout�察�Strangers of Rome�察�and the new proselytes�察�In their
own language hear thy wondrous word�察�And many are amazed and many
doubt。
POSTSCRIPT
'Ich habe unter meinen Papieren ein Blatt gefunden�察 �wo ich die
Baukunst eine erstarrte Musik nenne。' ��Johann Wolfgang Goethe�察 �1829
March 23��
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I found Dante in a bar。 The Poet had indeed lost the True Way to be
found reduced to party chatter in a Capitol Hill basement�察�but I had found
him at last。 I must have been drinking in the Dark Tavern of Error�察�for I
did not even realize I had begun the dolorous path followed by many since
the Poet's journey of A。D。 1300。 Actually no one spoke a word about
Dante or his Divine Comedy�察 �rather I heard a second´hand Goethe call
architecture ;frozen music。; Soon I took my second step through the gate
to a people lost�察�this time on a more respectable occasiona lecture at the
Catholic University of America。 Clio�察�the muse of history�察�must have been
aiding Prof。 Schumacher that evening�察�because it sustained my full three´
hour attention�察�even after I had just presented an all´night project。 There I
heard of a most astonishing Italian translation of 'la Divina Commedia' di
Dante Alighieri。 An Italian architect�察�Giuseppi Terragni�察�had translated the
Comedy into the 'Danteum��' a projected stone and glass monument to Poet
and Poem near the Basilica of Maxentius in Rome。
Do not look for the Danteum in the Eternal City。 In true Dantean form�察�
politics stood in the way of its construction in 1938。 Ironically this
literature´inspired building can itself most easily be found in book form。
Reading this book I remembered Goethe's quote about frozen music。 Did
Terragni try to freeze Dante's medieval miracle of song�拭�Certainly a cold´
poem seems artistically repulsive。 Unflattering comparisons to the lake of
Cocytus spring to mind too。 While I cannot read Italian�察�I can read some
German。 After locating the original quotation I discovered that 'frozen' is a
problematic ��though common�� translation of Goethe's original 'erstarrte。'
The verb 'erstarren' more properly means 'to solidify' or 'to stiffen。' This
suggests a chemical reaction in which the art does not necessarily chill in
the transformation。 Nor can simple thawing yield the original work。 Like a
chemical reaction it requires an artistic catalyst�察 �a muse。 Indeed the
Danteum is not a physical translation of the Poem。 Terragni thought it
inappropriate to translate the Comedy literally into a non´literary work。
The Danteum would not be a stage set�察 �rather Terragni generated his
design from the Comedy's structure�察�not its finishes。
The poem is divided into three canticles of thirty´three cantos each�察�
plus one extra in the first�察 �the Inferno�察 �making a total of one hundred
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cantos。 Each canto is composed of three´line tercets�察 �the first and third
lines rhyme�察�the second line rhymes with the beginning of the next tercet�察�
establishing a kind of overlap�察 �reflected in the overlapping motif of the
Danteum design。 Dante's realms are further subdivided�此 �the Inferno is
composed of nine levels�察�the vestibule makes a tenth。 Purgatory has seven
terraces�察�plus two ledges in an ante´purgatory�察�adding these to the Earthly
Paradise yields ten zones。 Paradise is composed of nine heavens�察�
Empyrean makes the tenth。 In the Inferno�察�sinners are organized by three
vicesIncontinence�察 �Violence�察 �and Fraudand furthe